How to Get Started with Ableton Live
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When I first opened up Ableton Live, I had no idea what I was doing.
That was over 20 years ago.
Since then I've toured the world, worked on prime time TV shows, and taught music production at some of the most well-known universities in London.
I've ...
The Novation Launch Control 3 promises a lot for Ableton Live users. You get compact hands-on control, full 5-pin MIDI for hardware, and tight integration that makes it look like an ideal MIDI controller for hybrid and DAWless setups.
On paper, it ticks a lot of boxes. In practice, though, th...
How to Use Link Audio in Ableton Live (Does It Actually Work?)
Link Audio is one of the most talked-about features in Ableton Live 12.4, and the promise is genuinely exciting. Stream audio wirelessly between devices, no cables, no audio interface. In real-world testing, it works. But ther
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Best Max for Live Synths for Ableton Live (That Also Work on Push 3 Standalone)Â
If you've been searching for the best Max for Live synths for Ableton Live without spending a fortune on expensive plugins, this is worth your time.
In this post, we're looking at 3 affordable Ableton synth plug...
How to Optimise Your Mac for Ableton Live PerformanceÂ
If you perform with Ableton Live, yes, you should change your Mac settings before going on stage.
Default macOS features are not built for real-time audio performance. Background services, wireless activity, indexing and power-saving beh...
If you want controlled chaos and evolving movement in Ableton Live, Pigra 2 and Whale are the kind of Max for Live devices that instantly wake up static sounds. They behave more like mini modular rigs than simple delays, constantly shifting, mutating and surprising you in musical ways.
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Key...
Why Mono Might Sound WIDER Than Stereo
A mono synth can make your pads sound wider than you'd expect. The trick lies in the "Mono Stack Method," a clever technique that uses multiple mono tracks to create rich, stereo-like width without needing stereo effects.
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Key Points
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Mono stackin...
How to Recreate Jon Hopkins’ Emerald Rush Synth Sound in Ableton Live
You can recreate Jon Hopkins’ Emerald Rush synth sound without his custom plugin. Using only Ableton Live stock effects, you can build it in under ten minutes.
Key Points
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Original sound used a custom Tim XL plugin
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How to Use iZotope RX with Ableton Live Without Killing Your CPU
The best way to use iZotope RX with Ableton Live is to run it as a standalone sample editor, not a plugin.
This keeps your sessions smooth, stable, and CPU-friendly, while still giving you RX’s powerful clean-up tools.
Key...
Why I Switched from Logic Pro to Ableton Live (and the Four Tet Trick You Need)
The fastest way to unlock creativity in beat-making is to sequence MIDI first and sample later. This flips the usual producer workflow and helps you avoid getting stuck hunting for “the right” sound.
It’s a metho...
Is Ableton Push 1 Still Worth It in 2026?Â
If you're wondering whether the original Ableton Push 1 is still worth buying in 2025, the answer is yes, especially if you're on a budget. It works seamlessly with Ableton Live 12.1, delivers core functionality, and can be picked up secondhand for...
How to Use Auto Filter in Ableton Live (Complete Guide)
Auto Filter is one of Ableton Live's most powerful and flexible effects, and it just got significantly better. Whether you're shaping tones in the studio, running live sets, or experimenting with sound design, Auto Filter gives you pre...
